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Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
Till the End of Time Forever Noranians . Nora Aunor an Excellent Actress ! alam na ng lahat yan sa Showbizlandia !
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
NORA AUNOR! WALA NANG TATALO SA KANYA SA KAGALINGAN BILANG ARTISTA!
superstar forever.
Number One Rated Actresss si NORA AUNOR
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is considered as the actress who can't used glamour to portray lust, considered as one of the numerous emotions that a great actor can portray. Her "kababuyan" on films are mostly under-covered on faces of "Tsimay", "Alalay", "Piping Ngiwi", "Magbubukid", etc!!! She only represents Filipina on the grass roots. She is an actress who discriminates roles!!! She will never be an ultimate actress!!! Her acting prowess is so limited, one-dimensional!!! She cannot portray a blind character for she is greatly known for her over-rated eye. Long shot, side view, back view, aerial view is not effective for Nora. She is only effective on one dimensional camera angle, close-up shot, which when use in great number will spoil the entire film work. This is very apparent in the movie "Sidhi" where she used all her available resources in collaboration with her director to emphasize purely on her over-rated eye acting!!!! The result is Nora's being lambasted by a veteran actress Elizabeth Oropeza for "Bulaklak Ng Maynila" for best actress in any given award-giving bodies that year. It was also a miss for Nora to be overshadowed by a neophyte starlet Glydel Mercado, who becomes the judges favorite for her realistic performance in "Sidhi' as a supporting actress to Nora!!! Underacting using the eyes alone becomes over-acting in the totality!!! This is another case of overacting in underacting or underacting seen as over-acting, too much excessiveness is not effectiveness and vice versa!!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!
Nora is the most disgusting and specializing atsay actress of all time. Hindi na nag-grow ang acting talent na very limited to the underdogs!!